Sounding Resistance in Modern Austrian Literature and Culture
From the dissonant melodies of the Grillparzer’s “Poor Musician,” to the cacophonous “schtzngrmm” of Ernst Jandl’s concrete poetry and musical monologues of Elfriede Jelinek’s “speech scores,” sound as a mode of articulating dissent and declaring resistance is a persistent motif in Modern Austrian literature. Whether employed to challenge the status quo, to voice the individual in conflict with society, to pave new paths for self- and collective expression, or to amplify the voices of the disenfranchised, sound as resistance unsettles the familiar, offers new vocabularies for negotiating power, and creates the potential for individual and collective change. This panel seeks papers that examine such acoustic manifestations of resistance in texts (literary, performative, cinematic) from the Austrian cultural tradition. Papers might consider the following questions: How is sound embodied and represented in these works? What agency is afforded to sound and to what extent does sound make present the “unseen, the non-represented or the not-yet apparent”? (Brandon LaBelle, Sonic Agency, 2018). How might attention to sound in these works provide new ways of reflecting on the tensions, struggles and precarities of the modern world?
Professor of German
Chair, Department of German and Russian
University of Vermont
Burlington, VT 05405
******************* The German Studies Call for Papers List Editor: Sean Franzel Assistant Editor: Olaf Schmidt Sponsored by the University of Missouri Info available at: https://grs.missouri.edu/german/resources