Incidentally, the author of this article, Edmund Prestwich, a poet, was an alumnus of Merton College, Oxford. <div><br></div><div><a href="http://edmundprestwich.co.uk/?page_id=2">http://edmundprestwich.co.uk/?page_id=2</a><br></div><div><br></div><div>CR </div><div><br>On Saturday, May 7, 2016, Chanan Mittal &lt;<a href="mailto:[log in to unmask]"><a href="/cgi-bin/wa?LOGON=A3%3Dind1605%26L%3DTSE%26E%3Dquoted-printable%26P%3D40412%26B%3D--001a113d19a806bc9e05324332d8%26T%3Dtext%252Fhtml%3B%2520charset%3DUTF-8" target="_parent" >[log in to unmask]</a></a>&gt; wrote:<br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex"><div>Pound’s “The Garden”, Eliot’s “Preludes” – elegant superficiality and human depth <br></div><div><br></div><div><a href="http://edmundprestwich.co.uk/?p=1723" target="_blank">http://edmundprestwich.co.uk/?p=1723</a><br></div><div><br></div><div>CR </div>
</blockquote></div>