My personal take for what it might be worth on East Coker: once a village, it's now virtually a suburb of nearby Yeovil - there are any amount of far more typical and more rural Wessex villages around and as such it is unremarkable. However, Eliot's treatment of the specific place can't be ignored, and, like the Adelstrop railway station (or Carnforth rail station clock) it cries out for preservation for the sake of our national heritage. The plans to subsume it all further into Yeovil are therefore crass.
Eliot embodied East Coker masterfully and concisely with the very spirit of Wessex, so at length depicted by Thos Hardy, and in a sense the place is symbolic of that greater, rural, Wessex as opposed to much else on its own, save that we wouldn't be wanting to develop Dove Cottage into holiday lets and a great big parking lot, would we??
Finally, and controversially, I'd observe that Hardy understood Wessex and so did Eliot but it's (culturally) a closed book to many American commentators, perhaps because they lack the necessary collective consciousness of a native.
-controversial stuff, maybe, but I do tend to believe in it.

On 5 August 2013 23:10, P <[log in to unmask]> wrote:
I refer you to my attempts to discuss Eliot's plays. The content may not be all that enticing but the renderings of common discussion in verse form are. I refer you to Helen Gardiner's The Art of T.S. Eliot. Sometimes I wonder if we are not addicted to content. No more critical perception is at play.

Nancy Gish <[log in to unmask]> wrote:

Even if one has university access, as I do, one cannot be constantly looking at one person's latest suggestion or, in an earlier comment, "blog."  I am no more able to read all this than you, and it's all available in databases and bibliographies when one chooses.
A discussion list, I would think, would be for discussion. This has not been one for a long time.

>>> David Boyd 08/05/13 4:55 PM >>>
The author is a distinguished Editor on the current Eliot Project.
But, CR, it's very irritating to face demands for payment to read this and other papers that you circulate. I don't have the luxury of online access via university etc library to all manner of (expensive) online literary databases, so it's all rather cruel to be tantalised and then refused access unless I pay $$$$ 

On 5 August 2013 20:33, Chokh Raj <[log in to unmask]> wrote:
T. S. Eliot & the roots that clutch
by Jim McCue
The New Criterion 
March 2013