OMG as they say, it must be 46 years since I used to conjure with the giant
words on the London theatre exterior that  I habitually passed on the bus,
that proclaimed the now-immortal 'Rosenkranz and Guildenstern are Dead' But
very glad to see Sir Tom Stoppard still so well-functioning, after all
these years.



On 15 November 2012 17:26, Nancy Gish <[log in to unmask]> wrote:

> I agree that the Hamlet essay is not very useful. I only think the the
> idea of making images that evoke feelings instead of announcing how one
> feels works for students. Giving it that name is helpful.
> As for Hamlet, by Eliot's own definition (did I say this here before?) I
> think a murdered father, a mother married to the murderer, a corrupt court,
> a fool following one around to spy on one and one's "friends" being
> treacherous in the same way might unhinge a lot of people. Hamlet has
> plenty of "objective correlative" to explain how he feels; it is hardly
> beyond the facts of his life.
> The finest Hamlet I have ever seen was Derrick Jacobi when he opened in
> London: he made Hamlet so intelligent that he could not not know what was
> all around him, and he could not bear it. Nothing about being too passive
> to act or being mad or just pretending to be mad or any of the standard
> renditions. It was one of the few greatest performances I have had the
> great luck to see.
> Nancy
> >>> Carrol Cox <[log in to unmask]> 11/15/12 12:03 PM >>>
> John Angell Grant:
> > I would love to know what was going on biographically between
> Shakespeare
> and
> > his mother; that Eliot said intruded into the play "Hamlet," causing the
> > Hamlet/Gertrude scene to fail as an objective correlative....
> "Objective correlative" is one literary issue that Nancy & I don't quite
> agree on. It seems to me a fairly empty phrase.
> In any case, even if _some_ meaning could be given the term, it has no
> meaning in respect to the Hamlet-Gertrude scene. It connects to the rest
> of
> the play rather than to some "emotion" which Eliot seemed to think it
> should
> manifest. Eliot's essay on Hamlet was not one of his happier performances.
> Carrol