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Well, it's a big point in that the whole experience of the poem is framed by
it.
It suggests, perhaps, a formal affair, which is borne out by the style of
behaviour,
and sense of suppressed emotion. Then there's the women coming, and coming
and going
through the room discussing David's pen... er Michaelangelo under their
breath.
It also implies an exit AFTER the visit (a sine qua non in fact), but the
exit never happens.

Sorry. Gotta handle a mogul.
P.
----- Original Message ----- 
From: "Rickard A. Parker" <[log in to unmask]>
To: <[log in to unmask]>
Sent: Tuesday, April 20, 2010 3:39 PM
Subject: Re: through eliot's kaleidoscope


On Tue, 20 Apr 2010 13:55:21 -0800, Peter Montgomery <[log in to unmask]>
wrote:

>In JAP "visit" is a key but much neglected word.

Between skiing in the mountains and sailing in the sounds of B.C.
could you find some time to expand this into a paragraph or two?

Regards,
   Rick Parker