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Well that pretty much covers everything and makes discussion impossible. 
N

>>> Peter Montgomery <[log in to unmask]>02/22/10 4:13 AM >>>
On the other hand, the toltal absence of conflict is
itself a conflict.
 
P.
----- Original Message -----
From: [log in to unmask] href="mailto:[log in to unmask]">Nancy Gish
To: [log in to unmask] href="mailto:[log in to unmask]">[log in to unmask]
Sent: Sunday, February 21, 2010 8:11 AM
Subject: Re: 'Gerontion'

I already said that.  There is no such arc in "Gerontion."

>>> Peter Montgomery <[log in to unmask]>02/21/10 5:11 AM >>>
If there is conflict, then there is drama, whether it be internal or external or both.
 
P.
----- Original Message -----
From: [log in to unmask] href="mailto:[log in to unmask]">Nancy Gish
To: [log in to unmask] href="mailto:[log in to unmask]">[log in to unmask]
Sent: Friday, February 19, 2010 9:27 PM
Subject: Re: 'Gerontion' -- the dramatic arc

I do not understand how this can be a "classical dramatic structure" when it states the opposite.  That structure is a description of  an action: it refers to plot. And the central point Gerontion describes is precisely that he has not acted.  He was not at the hot gates; he is old and simply waiting. He says "we have not reached conclusion" [i.e., no climax or denoument]. He speaks only of endless "small deliberations"--thoughts of a dry brain in a dry season."  Classical drama is about acting and its consequences.  There is no action depicted in the lines you quote. 

When Eliot turned to drama--even in the early Sweeney Agonistes--he showed actions.  I do not see the point of what you call an observation that cannot apply in this case.
Nancy
 
>>> Chokh Raj <[log in to unmask]>02/19/10 11:05 PM >>>
'Gerontion' - the dramatic arc
 
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Here I am, an old man in a dry month,    [line 1]
 
I an old man, / A dull head among windy spaces    [lines 15-16]
 
I have no ghosts / An old man in a draughty house / Under a windy knob.   [lines 30-32]
 
And an old man driven by the Trades / To a sleepy corner.    [lines 72-73]
 
-----
 
To me the monologue moves along the lines of a classical dramatic structure -- with an Exposition, a Rising Action, a Climax, and a Resolution. 
 
just an observation
 
CR