From: Amy Johnson <>
Date: Sat, 3 Nov 2007 02:27:25 -0400 (EDT)

Death is an arrival and a departure for the deceased, as well as for 
those left behind - who leave
one kind of life and arrive, like the dead, in uncharted territory. 
Culturally, we are awash in stories
of the dead, which signifies the desire to come to terms with death 
and loss as well as the refusal to do so. We propose a seminar to 
investigate the various manifestations of death in narrative, from 
corpses to caesuras, the death of the author to Diana Fuss's 
conception of "last words," and
surrealism's exquisite corpses.

We are looking for submissions which address death and the bodily 
changes that accompany it from as many angles as possible - 
political, humorous, formal, narratorial and so on. How are death and 
the dead objectified in different forms - poetry, prose, film? What 
is the perspective of the dead?

How do we make sense of narratives about dead bodies or narratives 
from the perspective of a dead creature? How might we explain, for 
instance, the current cycle of horror films and television series 
focusing on zombies and vampires? How and why are these contemporary 
creatures different from their literary ancestors? Why are stories of 
the dead so compelling even while discomfiting us? Have narratives of 
the dead changed over time (from Defoe's A Journal of the Plague Year 
to Ondaatje's Anil's Ghost, for example)? What do narratives of death 
and the dead share across cultures? Where do they differ?
Propose a paper:


The German Studies Call for Papers List
Editor: Stefani Engelstein
Assistant Editor:  Megan McKinstry
Sponsored by the University of Missouri
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