The juxtapostion, by allowing the lines to scratch off each other,
generates the resonant interval (cf the auditory imagination),
a signature effect in Eliot's poetry.
  ----- Original Message ----- 
  From: cr mittal 
  To: [log in to unmask] 
  Sent: Thursday, June 07, 2007 4:21 PM
  Subject: Re: O ces voix d'enfants, chantant dans la coupole!

  A poetic technique deployed by Eliot in TWL is one of juxtaposition --
  juxtaposition of contrasting situations that put each other in relief.
  Here the sordid washing of "feet" with soda water by Mrs Porter
  (a legendary brothel-keeper) is contrasted with the ceremonial,
  purifying washing ceremony in Chapel Perilous where the children 
  (symbol of purity) sing in a choir. The latter restores health to the
  ailing king and his land.  I appreciate your remark -- yes, indeed!



  Jonathan Crowther <[log in to unmask]> wrote:
    Cd anyone enlighten me as to why this line is quoted as an 'end' to the Mrs
    Porter lines?

    //The line concludes Verlain's Parcifal sonnet which is the soln to the plot of the TWL surely? If only the sonnet were true the TWL could end! //

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