----- Original Message -----From: [log in to unmask] href="mailto:[log in to unmask]">Diana ManisterSent: Monday, December 25, 2006 7:34 AMSubject: Re: Hippopotamus and Adoration (Updated)
Rick, thank you for the text. The following Bosch paintings may not be the exact ones for which you are searching, but they are close in imagery:
From: "Rickard A. Parker" <[log in to unmask]>
Reply-To: "T. S. Eliot Discussion forum." <[log in to unmask]>
To: [log in to unmask]
Subject: Re: Hippopotamus and Adoration (Updated)
Date: Sun, 24 Dec 2006 20:07:16 -0500
David Boyd wrote:
> HELL [and a goodly number of earthly manifestations thereof ] comes at
> once to mind...........
You asked for more Flemish influences upon Eliot. This note for line
380 of TWL is taken from http://rpo.library.utoronto.ca/poem/790.html
According to Eliot (Poems, 1910-1930, p. 155), these details were
inspired by a painting from the school of Hieronymus Bosch (a
fifteenth-century Dutch artist), one called "Hell" or "The Sinful
World" and forming a diptych with Bosch's "Deluge." In a part of the
painting one can see a bat-like creature with dull human features
crawling headfirst down a rock wall. See Charles de Tolnay, Hieronymus
Bosch (Basel: Holbein, 1937), plate 25. Bosch's horrific late Gothic
style shows, with extraordinary vividness, allegories of Hell, the
fallen world of vice, and wasting self-slaughter.
This is really a lifting of what Grover Smith wrote first in his
"T.S. Eliot's Poetry and Plays: A Study in Sources and Meanings",
pp. 94-5. Smith noted "Poèmes 1910-1930", p. 155 and also noted the
same place to go to see the painting.
I've tried to find a copy of the painting on the web but gave up. It
is an altarpiece in Rotterdam and is actually likely a triptych with a
missing center panel.
Fixing up the home? Live Search can help
No virus found in this incoming message.
Checked by AVG Free Edition.
Version: 7.5.432 / Virus Database: 268.15.26/600 - Release Date: 12/23/2006 4:47 PM