Subject: CFP: New Austrian Film (01/31/07; collection)
Call for Papers: New Austrian Film (01/31/07; collection) Robert von Dassanowsky (University of Colorado, Colorado Springs/UCLA) and Oliver C. Speck (University of North Carolina, Wilmington) solicit abstracts for English-language essays to be included in a proposed volume on New Austrian
We invite a variety of academic approaches (close readings, psychoanalytical, anthrocultural, sociopolitical, new historicist, feminist, postmodernist, literary adaptation, etc.) to the period(s) and the artists (directors, writers, actors, producers) of New Austrian Film, beginning with its roots in the early 1980s (the onset of the national film fund; provocative historical confrontations utilizing traditional structure such as Antel's "Der Bockerer" and Glück's "38"; feminist narratives as in Export's Die Praxis der Liebe) to the present. Topics may also include examinations of feature, documentary and experimental genres; (co-)production modes; national, regional and international reception; political, ethnic
and social influences and ramifications. Given the nature of the Austrian industry, films made for television that were given theatrical release (or vice versa) are acceptable. Filmmakers of interest include Haneke, Albert, Gräftner, Seidl, Hausner, Derflinger, Glawogger, Tscherkassky, Arnold, Widrich, Schwabenitzky, Beckermann, Heller, Schmiderer, Sauper, Mader, Sicheritz, Ruzowitzky, Spielmann, Sturminger, Draschan, Manker, Stepanik, Schindel, Unger, Minck, Covi, Frimmel.
This volume is intended as a reader which explores and analyses New Austrian Film and its pertinence for the non-German-speaking world, making this cinematic rebirth of Austrian motion picture art and industry accessible to academics, students, filmmakers, critics and cineastes.
The deadline for abstracts is January 31, 2007. Accepted contributions (7,000 words max.) will be due in August 2007.
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