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>
>From:         Dr Daniel Meyer-Dinkgräfe <[log in to unmask]>
>Subject: CLA journal and conference
>
>Journal Consciousness, Literature and the Arts: New URL and NEW ISSUE
>The peer-reviewed web journal Consciousness, Literature and the Arts
>changes its URL with the publication of volume 7 issue 1, April 2006. The
>new address is www.aber.ac.uk/cla . It is active from today.
>
>Conference Announcement and Call for Papers
>The Department of Theatre, Film and Television Studies at the University
>of Wales Aberystwyth, UK, is pleased to host the Second International
>Conference on Consciousness, Theatre, Literature, and the Arts. The
>conference will be held in Aberystwyth, Wales, UK, from Saturday 5 to
>Monday 7 May 2007. Abstracts (up to 1 page) are invited for papers
>relating any aspect of consciousness (as defined in a range of disciplines
>involved with consciousness studies) to any aspect of theatre,
>performance, literature, music, fine arts, media arts and any sub-genre of
>those. Please send the abstract to Dr Daniel Meyer-Dinkgräfe,
>[log in to unmask] Deadline for receipt of abstracts is 1 March 2007.
>
>Books available for review
>The following books are now available for review in Consciousness,
>Literature and the Arts, allocated on a first come first served basis.
>Please provide a brief biographical note and full mailing address with
>your indication of interest.
>
>Stephen Gaukroger, The Blackwell Guide to Descartes Meditations.
>Blackwell 2005
>
>Wolfgang Kascha, Die Wirkungssicherung im traditionellen asiatischen
>Theater. Wiss. Verlag Trier 2005
>
>  Joe Milutis. Ether. The nothing that connects everything. Minnesota, 2006
>
>Marcel Dobberstein, Die Natur der Musik. Lang, 2005
>
>Veronika Busch, Tempoperformance und Expressivität. Eine Studie zwischen
>Musikpsychologie und Musiktherapie. Lang, 2005
>
>Ophelia benson and Jeremy Stangroom, Why Truth Matters. Continuum, 2006
>
>Lisa Mark, ed. Ecstasy: In and About Altered States. Museum of
>Contemporary Art, LA
>
>Peter Consenstein, Literary Memory, Consciousness and the Group Oulipo.
>Rodopi 2002
>
>Francesco Castaldi, Choreographies of African Identities. U of Illinois P,
>2006
>
>Charles Burack, D.H.Lawrence’s Language of Sacred Experience. The
>Transfiguration of the Reader. Palgrave, 2005
>
>Margaret Coldiron,  Transce and Transformation of the Actor in Japanese
>Noh and Balinese Masked Dance Drama. Mellen, 2004
>
>Gerhard Penzkofer und Wolfgang Matzat Der Prozeß der Imagination: Magie
>und Empirie in der spanischen Literatur der frühen Neuzeit. Niemeyer 2005
>
>Adina Mornell, Lampenfieber und Angst bei ausübenden Musikern. Lang, 2002
>
>Joshua Landy, Philosophy as Fiction. Self, deception and knowledge in
>Proust. Oxford UP, 2004
>
>Patrick J Keane, Emerson, Romanticism and Intuitive Reason. U of Missouri
>Press, 2005
>
>
>
>
>**************************************************
>Dr Daniel Meyer-Dinkgräfe
>Department of Theatre, Film and Television Studies
>University of Wales Aberystwyth
>Parry Williams Building
>Penglais Campus
>Aberystwyth, Ceredigion SY23 3AJ
>Wales, UK
>Tel. 01970 622835
>Fax 01970 622831
>Email: [log in to unmask]
>
>Consciousness, Literature and the Arts
>www.aber.ac.uk/tfts/journal
>
>
>Yn unol â pholisi dwyieithog Prifysgol Cymru, Aberystwyth, mae croeso i
>chi ohebu â’r Brifysgol yn Gymraeg neu yn Saesneg.
>
>In accordance with the bilingual policy of the University of Wales,
>Aberystwyth, you are welcome to correspond with the University in either
>Welsh or English.

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