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>
>Subject: CFP: Intersections: Traffic and Transportation in the Early 
>Modern Period & The Representation of Subtle Bodies (10/1/05; 
>journal issues)
>
>From: "Todd, R.K." <[log in to unmask]>
>
>I should be grateful if the following calls for papers could be posted =
>on your site. As you will see, Intersections is a series of primary =
>interest to scholars working in the early modern period.
>
>START TEXT:
>
>CALL FOR PAPERS - Intersections vol. 8 and 9
>
>Vol. 8: Traffic and transportation in the Early Modern Period Vol. 9: =
>Spirits Unseen: The Representation of Subtle Bodies in Early Modern =
>European Culture [please scroll down]
>
>
>
>Intersection brings together new material on well considered themes =
>within the wide area of Early Modern Studies.=20
>Contributions may come
>from any of the disciplines within the humanities:=20
>history, art
>history, literary history, book history, church history, social history, =
>history of the humanities, of the theatre, of cultural life and =
>institutions. The themes are carefully selected on the basis of a number =
>of criteria, the most important of which are that they should address =
>issues about which there is a lively and ongoing debate within the =
>international community of scholars and that they should be of interest =
>to a variety of disciplines.
>
>
>Volumes published to date are:
>vol. 1 (2001) Karl Enenkel et alii, Recreating Ancient History. [...].
>vol. 2 (2002) Toon van Houdt et alii, On the Edge of Truth and Honesty. =
>Principles and Strategies of Fraud and Deceit in the Early Modern =
>Period. vol. 3 (2003) Arie-Jan Gelderblom et alii, The Low Countries as =
>a crossroads of Religious Beliefs vol.=20
>4 (2004) Karl
>Enenkel and Wolfgang Neuber, Cognition and the Book. Typologies of =
>Formal Organisation of Knowledge in the Printed Book of the Early Modern =
>Period. vol. 5 Alister Hamilton et alii, The Republic of Letters and the =
>Levant vol. 6, Karl Enenkel and Jan Papy, Petrarch and his Readers in =
>the Renaissance will appear in 2005.
>
>
>---------------------------------------------------------
>Call for Papers ---  Intersections vol. 8
>
>Traffic and transportation in the Early
>Modern Period
>
>
>One of the distinctive aspects of the Early Modern Period in Western =
>Europe is the organisational improvement as well as the increase of =
>traffic and transportation. Not only were contacts established with =
>'new' countries and continents, but at the same time an intensification =
>of contacts occurred between the various countries of Western Europe and =
>between the cities within these countries. This expansion and increase =
>of contacts were a result of and gave rise to new developments in =
>knowledge, technology, and patterns of consumption of food, luxury =
>articles and services (such as travelling).
>
>Essay topics might include:
>*   The development of new means of=20
>transportation: by what necessity
>were they created, what were their consequences in the short and in the =
>longer term, and what new needs and knowledge did they generate? *
>   How far did the cultural, political and social consequences of the =
>increasing mobility reach? Did it lead to the opening up of new areas or =
>rather to the improvement and expansion of existing routes to known =
>places? Did it lead to new contacts and connections, or only to a more =
>intensive use of already existing routes? Was there an increase in =
>travelling, or did people just travel faster and more conveniently? *  =
>Who used the new means of transportation, and who profited most from =
>them? Did they give rise to new social classes or different social
>relationships? *   What were the consequences of=20
>the increasing
>mobility on intellectual fields? Was there a concomitant increase in =
>mail and correspondence, and consequently a faster and wider exchange
>of news, information, ideas and concepts? *   How=20
>were the new
>developments of traffic and transportation represented and assessed in =
>the arts and literature? Did they give rise to new ideas and genres, =
>such as landscape painting, travel literature and utopian themes? * Did =
>the new means of transportation and the increasing mobility have =
>consequences for the infrastructure of Western Europe? Did they affect =
>city planning and the design of buildings, for instance due to the need =
>for parking space for new and bigger vehicles?
>
>Proposals are invited for contributions discussing these and other =
>aspects relating to the increasing mobility in the Early Modern Period, =
>such as the consequences for warfare, diplomacy and trade.
>Proposals of maximum 300 words should be sent by e-mail to the secretary =
>of the editorial board of Intersections, Dr. Jan L. de Jong, =
>[log in to unmask], before 1 October 2005. The authors of the proposals =
>that have been accepted will be invited to write a paper of 6.000 words =
>(including notes) before 1 september 2006. The final decision on the =
>acceptance of any paper will be made by the editors following receipt of =
>the complete text.
>
>-------------------------------------------------------
>Call for Papers --- Intersections vol. 9:
>
>Spirits Unseen: The Representation of Subtle Bodies in Early Modern =
>European Culture
>
>
>Spirits - gaseous, vaporous, volatile "subtle bodies" (corpora subtilia) =
>- occupied a prominent place in early modern thought. The terms =
>"spiritus" or "corpora subtilia" may refer to angels, demons and souls =
>as well as those immaterial or corpuscular energies, virtues and small =
>atomic particles that regulated natural phenomena and =
>psycho-physiological functions, in fact the whole universe and its laws. =
>Early modern notions of spirits and subtle bodies often combined
>observation, empirical evidence and religious doctrine.
>
>Despite increasing interest in early modern cosmologies, little =
>attention has been paid to problems of the representation of spirits. =
>For this reason, volume 9 of Intersections seeks to initiate a =
>discussion on the ways in which ethereal or subtle bodies were imagined, =
>described and represented in early modern philosophical, scientific, =
>religious, moral and artistic discourse. What qualities were associated =
>with energies and subtle substances in early modernliterary, poetic and =
>scientific texts? How were spirits and invisible bodies depicted in the =
>visual arts or staged in the theatre? In which
>respects do representational codes and conventions change over time and =
>differ according to social and cultural contexts and conditions?
>
>In particular, contributions are encouraged that discuss descriptions, =
>depictions and meanings of spirits across various=20
>disciplines and cultural practices, or that consider competing =
>representations indifferent visual and textual media over a broader =
>period of time. Papers may focus on such aspects of early modern natural =
>philosophy, medicine and magic as the origin of fossils, crystals and =
>rocks; the phenomena of light, heat, gravity and electromagnetism; the =
>propertiesof the air; the substance dreams were made of; the effects of =
>music on
>the animal spirits of the body. Contributions on experiments, projects =
>and executed works that (re)define models of vision and sensory =
>perception are also welcome. Early modern optics offers a particularly =
>rich field for further research: the fascination with catoptrical =
>machines and other devices of visual deception; the uses and functions =
>of mirrors and magnifying lenses in science, warfare and religious =
>practice.
>
>As unseen and invisible bodies spirits aroused artistic fantasy and =
>imagination. Possible topics include the iconography of sounds and =
>sights (in painting, the emblem literature and other literary and =
>pictorial genres) and the role of spirits and ghosts as literary motifs =
>and personae. The religious disputes of the sixteenth century led to =
>conflicting views in Protestant and Catholic culture concerning ghosts =
>and other apparitions as well as the physics of the transubstantiation. =
>Liturgical and devotional practices provide another fruitful area of =
>research: the construction of monstrances and other receptacles for the =
>exhibition of the host and relics; the use of talismans and amulets.
>
>The volume is scheduled to appear in 2007.=20
>Proposals, about 300 words, should be sent (preferably electronically) =
>no later than October 1st, 2005 to:=20
>Christine G=F6ttler=20
>Division of Art History,=20
>University of Washington=20
>Box 353440 Seattle, WA 98195-3440=20
>USA=20
>e-mail:
>[log in to unmask]
>
>For more information on this volume please contact Christine G=F6ttler.
>
>________________________________________
>_
>
>J.L. de Jong,
>Institute for the History of Art and Architecture,
>Groningen University,
>P.O. Box 716,
>9700 AS Groningen,
>The Netherlands,
>tel. (+31) 50 - 3636091, fax: (+31) 50 - 3637362
>
>________________________________________
>
>END TEXT
>
>For any queries, please contact:
>
>Richard Todd,
>Professor, British literature after 1500
>Faculty of Arts
>University of Leiden
>PO Box 9515
>2300 RA LEIDEN
>The Netherlands

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