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>
>From: <[log in to unmask]>
>Subject: CFP: (dis)junctions: Metadrama and Dramatic Theory (grad)
>(1/7/05; 4/8/05-4/9/05)
>
>(dis)junctions: theory reloaded (april 8-9, 2005)
>Metadrama and Dramatic Theory: ĺ─˙Making Strangeĺ─¨ the Stage
>
>This call for papers is for a proposed panel to be held at
>(dis)junctions:
>theory reloaded at the University of California Riversideĺ─˘s
>12th Annual
>Humanities Graduate Conference on April 8-9, 2005.
>
>In *Drama, Metadrama, and Perception*, Richard Hornby breaks
>metadrama into five different categories: the ceremony-within-
>the-play, the play-within-the-play, the role- within-the-
>role, literary/real-life reference-within-the-play, and self-
>reference. Contributors are invited to submit papers on
>topics related to the roles and effects of metadrama/theatre
>within individual works, genres of drama, or theatrical
>periods throughout history. How do these different varieties
>of the metadramatic interact with the text and the
>audience?   What is the place of metatheatrical studies
>within the larger body of drama criticism and theory? Are its
>effects limited to Shklovskyĺ─˘s ostraneniyeĺ─ţmaking strangeĺ─ţand
>the Verfremdungseffektĺ─ţalienation effectĺ─ţof Bertholt Brechtĺ─˘s
>Epic Theater, or are there other ramifications to the
>inclusion of metadramatic elements?
>
>One page abstracts should be e-mailed to [log in to unmask]
>by January 7, 2005
>(text in the body of the message; please no attachments). The
>submissions should
>be no longer than 250 words.
>
>Proposals sent via snail mail should be sent to:
>(dis)junctions
>UCR's Twelfth Annual Humanities Graduate Conference
>Department of English
>UC Riverside
>Riverside, CA 92521-0323
>
>For more information on the conference, please visit:
>http://english.ucr.edu/gsea/disjunctions/
>
>

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