William Gray wrote: > > Eliot's quotation in TWL contains one quote from the play (from 4.1.69) > and the subtitle to the play. Will, I welcome your addition. Like you, it took me awhile to realize that the second part of Eliot's line was the subtitle. I checked out my website and found out that I didn't mention it myself. I'll have to correct that. I'm supposing that the 1615 reprint of the play was due to its popularity. It was written sometime between 1582 and 1592 and was very popular in the 1590s. There was an edition published in 1602. Kyd died around 1594. I'm amused by this thought on the subtitle-- that it was added as publicity much as the ads for "The Terminator" stated "He's back!" And I think that thought was in Eliot's mind too. Its my belief that TWL was written mainly to be connected thoughts of Eliot's own, written to exorcise his demons (as he wrote in "The Three Voices of Poetry," see below.) By alluding to Kyd Eliot was stating that the poem was showing what was happening in his life and emotions as Hieronimo's play was showing what was happening in his. Regards, Rick Parker Trivia: Thomas Kyd was baptized in the church of St Mary Woolnoth. http://en.wikipedia.org/wiki/Thomas_Kyd From "The Three Voices of Poetry": I agree with Gottfried Benn, and I would go a little further. In a poem which is neither didactic nor narrative, and not animated by any other social purpose, the poet may be concerned solely with expressing in verse--using all his resources of words, with their history, their connotations, their music--this obscure impulse. He does not know what he has to say until he has said it; and in the effort to say it he is not concerned, at this stage, with other people at all: only with finding the right words or, anyhow, the least wrong words. He is not concerned whether anybody else will ever understand them if he does. He is oppressed by a burden which he must bring to birth in order to obtain relief. Or, to change the figure of speech, he is haunted by a demon, a demon against which he feels powerless, because in its first manifestation it has no face, no name, nothing; and the words, the poem he makes, are a kind of form of exorcism of this demon. In other words again, he is going to all that trouble, not in order to communicate with anyone, but to gain relief from acute discomfort; and when the words are finally arranged in the right way--or in what he comes to accept as the best arrangement he can find--he may experience a moment of exhaustion, of appeasement, of absolution, and of something very near annihilation, which is in itself indescribable. And then he can say to the poem: 'Go away! Find a place for your self in a book--and don't expect me to take any further interest in you.'