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>Postmodern Culture Call for Reviews: Deadline 15 November 2003
>REPLY TO: [log in to unmask]
>
>_Postmodern Culture_ is looking for reviews of recent books, films, CDs,
>plays, TV shows, concerts, sporting events, performances, exhibitions,
>conferences and conventions, happenings, and so forth, for the January
>2004 issue.  Reviews should be approximately 2000-3500 words long and
>should follow the journal's format guidelines below.
>
>For the upcoming January 2004 issue, reviews should be submitted by 15
>November.  A selection will be made at that time.  All correspondence will
>be answered and all submissions will be given careful consideration.  We
>regret that we are unable to provide review copies to our reviewers.
>
>The current issue of _Postmodern Culture_ is available on the web at
>http://jefferson.village.virginia.edu/pmc/
>
>Formatting guidelines and a list of suggested titles are to be found below.
>
>Send reviews, proposals, or queries to Paula Geyh at [log in to unmask]
>
>
>FORMAT GUIDELINES FOR _PMC_ REVIEWS
>
>Reviewers are encouraged to familiarize themselves with the journal and its
>review section in particular before submitting reviews.  The current issue
>of _Postmodern Culture_ can be accessed on the Web at
>http://jefferson.village.virginia.edu/pmc/
>
>You can save us a good deal of work by following these guidelines:
>
>Reviews should generally run between 2000 and 3500 words, or about 8-14
>ordinary manuscript pages.  Each review should be accompanied by a brief
>(3-5 line) bio of the reviewer.
>
>Set margins to half-inch left, two-inch right, and set your font to Courier
>10cpi (or any 10cpi, non-proportional font).  This is very important, as it
>prevents too many characters on a line.   Macintosh/Apple users, however,
>should use Times Roman (or something similar) rather than
>Courier, which creates glitches when read by PCs.
>
>Put a title at the top of the first page, and under it your name,
>institutional affiliation, email address, a fax number at which you can be
>reached, and mailing address.  Center these lines.
>
>Below this, indicate the work reviewed as follows:
>
>Review of
>Author, _title_.  City: Publisher, Date.
>
>Indent (to 1") the first line of each paragraph and all lines of set-off
>quotations.
>
>Single-space the document, but use double spacing between paragraphs.
>
>Use _this_ for underlining titles, *this* for bold print or emphasis,
>%this% for foreign words, and ^this^ for superscript.  Notes should be
>indicated in the text by ^1^ (and so on), and then again, at the end of the
>document, by ^1^ (and so on), followed by the text of the notes themselves.
>Footnotes created using word-processing commands will not transfer into our
>formatting.
>
>Footnotes and Works Cited page, if any, should follow MLA format.
>
>Page references in the text, if any, should not be preceded by p., pp., or
>any other notation; use just the page number itself.
>
>Send your submission to the review editor, Paula Geyh, by e-mail to
>[log in to unmask], not to the _PMC_ offices.  Submissions should be sent as
>e-mail attachments in either Word or Word Perfect (if using some other
>word-processing program, save the document in ASCII).
>
>-----
>
>SOME SUGGESTED TITLES (by no means exhaustive or exclusive):
>
>Recent films from First Run/Icarus, including _Milles Gilles_ (on Deleuze),
>_Culture Jam_, _Cul de Sac_, and _Power and Terror_ (Chomsky)
>
>Alberro, Alexander and Patricia Norvell, eds., _Recording Conceptual Art_
>(U of California P, 2001).
>
>Allan, Graham, and Graham Crow, _Families, Households and Society_
>(Palgrave, 2001).
>
>Allen, Chadwick, _Blood Narrative: Indigenous Identity in American Indian
>and Maori Literary and Activist Texts_ (Duke UP, 2002).
>
>Asad, Talal, _Formations of the Secular: Christianity, Islam, Modernity_
>(Stanford UP, 2003).
>
>Ashcroft, Bill, _Post-Colonial Transformations_ (Routledge, 2001).
>
>Baker, Keith Michael and Peter Hans Reill, eds., _What's Left of
>Enlightenment?_ (Stanford UP, 2001).
>
>Baudrillard, Jean and Jean Nouvel, _The Singular Objects of Architecture_
>(U of Minnesota P, 2002).
>
>Beaulieu, Jill, and Mary Roberts, eds. _Orientalism's Interlocutors:
>Painting, Architecture, Photography_ (Duke UP, 2002).
>
>Belasco, Warren and Philip Scranton, _Food Nations: Selling Taste in
>Consumer Society_ (Routledge, 2001).
>
>Benthien, Claudia, _Skin: On the Cultural Border Between Self and World_
>(Columbia UP, 2002).
>
>Bernstein, David W. and Christopher Hatch, eds., _Writings through John
>Cage's Music, Poetry, and Art_ (U of Chicago P, 2001).
>
>Berry, Chris, et al., eds., _Mobile Cultures: New Media in Queer Asia_
>(Duke UP, 2003).
>
>Blanchot, Maurice, _The Book to Come_ (Stanford UP, 2003).
>
>Brottman, Mikita, ed., _Car Crash Culture_ (Palgrave, 2001).
>
>Bruzzi, Stella and Pamela Church Gibson, _Fashion Cultures: Theories,
>Explorations and Analysis_ (Routledge, 2001).
>
>Burnham, Van, _Supercade: A Visual History of the Videogame Age
>1971-1984_(MIT P, 2001).
>
>Burt, Richard, ed., _Shakespeare after Mass Media_ (Palgrave, 2002).
>
>Castaneda, Claudia, _Figurations: Child, Bodies, Worlds_ (Duke UP, 2003).
>
>Cazdyn, Eric, _The Flash of Capital: Film and Geopolitics in Japan_ (Duke
>UP, 2002).
>
>Chambers, Iain, _Culture After Humanism: History, Culture,
>Subjectivity_(Routledge, 2001).
>
>Chanter, Tina.  _Time, Death, and the Feminine: Levinas with
>Heidegger_(Stanford UP, 2001).
>
>Chapman, James, _Saints and Avengers: British Adventure Series of the
>1960s_ (I.B. Tauris, 2002).
>
>Chuh, Kandice, _Imagine Otherwise: on Asian Americanist Critique_ (Duke UP,
>2003).
>
>Cixous, Helene and Jacques Derrida, _Veils_ (Stanford UP, 2001).
>
>Connell, John and Chris Gibson, _Soundtracks: Popular Music, Identity and
>Place_ (Routledge, 2002).
>
>Corner, John, and Sylvia Harvey, eds., _Television Times: A Reader_
>(Arnold, 1996).
>
>Cruz-Malave, Arnaldo and Martin Manalansan, eds., _Queer Globalizations:
>Citizenship and the Afterlife of Colonialism_ (New York University P, 2002).
>
>Damisch, Hubert, _Skyline: The Narcissistic City_ (Stanford UP, 2001).
>
>Davies, Alistair and Alan Sinfield, eds., _British Culture of the
>Postwar_(Routledge, 2001).
>
>Davis, Lennard J., _Bending Over Backwards: Essays on Disability and the
>Body_ (New York University P, 2002).
>
>De Alba, Alicia Gaspar, ed.,  _Velvet Barrios: Popular Culture and
>Chicana/o Sexualities_ (Palgrave Macmillan, 2003).
>
>Derrida, Jacques, _Negotiations: Interventions and Interviews, 1971-2001_
>(Stanford UP, 2002).
>
>Derrida, Jacques, _Without Alibi_ (Stanford UP, 2002).
>
>Doody, Terrence, _Among Other Things: A Description of the Novel_
>(Louisiana State UP, 1998).
>
>Dyens, Ollivier, _Metal and Flesh: The Evolution of Man: Technology Takes
>Over_ (MIT P, 2001).
>
>Elliott, Anthony, _Psychoanalytic Theory: An Introduction.  Second
>Edition_(Duke UP, 2002).
>
>Elliott, Emory et al., eds., _Aesthetics in a Multicultural Age_ (Oxford
>UP, 2002).
>
>Frosh, Stephen, _Afterwords: The Personal in Gender, Culture and
>Psychotherapy_ (Palgrave, 2002)
>
>Gallop, Jane, _Anecdotal Theory_ (Duke UP, 2002).
>
>Garber, Marjorie and Nancy J. Vickers, eds., _The Medusa Reader_(Routledge,
>2002).
>
>GaschÈ, Rodolphe, _The Idea of Form: Rethinking Kant's Aesthetics_(Stanford
>UP, 2003)
>
>Ginzburg, Carlo, _Wooden Eyes: Nine Reflections on Distance_ (Columbia UP,
>2001).
>
>Grau, Oliver, _Virtual Art: From Illusion to Immersion_ (MIT P, 2003).
>
>Han, Beatrice, Foucault's Critical Project: Between the Transcendental and
>the Historical_ (Stanford UP, 2002).
>
>Harvey, David,  _Spaces of Capital: Towards a Critical Geography_
>(Routledge, 2001).
>
>Highmore, Ben, _Everyday Life and Cultural Theory_ (Routledge, 2001).
>
>Highmore, Ben, _The Everyday Life Reader_ (Routledge, 2001).
>
>Hills, Matthew, _Fan Cultures_ (Routledge, 2002).
>
>Hjort, Mette and Scott MacKenzie, eds., _Purity and Provocation: Dogme 95_
>(BFI, Oxford U P, 2003).
>
>Hocks, Mary E. and Michelle R. Kendrick, eds., Eloquent Images: Word and
>Image in the Age of New Media_ (MIT P, 2003).
>
>Hodgson, Dorothy, ed., _Gendered Modernities: Ethnographic
>Perspectives_(Palgrave, 2001).
>
>Huggan, Graham, _The Postcolonial Exotic: Marketing the Margins_(Routledge,
>2001).
>
>Hurliman, Lesha and Numsiri Kunakemakorn, eds.,
>_WithoutCovers://literary_magazines @the_digital_edge_ (Purdue UP, 2002).
>
>Huyssen, Andreas, _Present Pasts: Urban Palimpsests and the Politics of
>Memory_ (Stanford UP, 2003).
>
>Irigaray, Luce, _To Speak is Never Neutral_ (Routledge, 2002).
>
>Israel, Nico, _Outlandish: Writing Between Exile and Diaspora_ (Stanford
>UP, 2000).
>
>Jenkins, Henry et al., eds., _Hop On Pop: The Politics and Pleasures of
>Popular Culture_(Duke UP, 2002).
>
>Jones, Suzanne, and Sharon Monteith, _South to a New Place: Region,
>Literature, Culture_ (Louisiana State UP, 2002).
>
>Kahn, Douglas, _Noise, Water, Meat: A History of Sound in the Arts_ (MIT P,
>2001).
>
>Kane, Daniel, _All Poets Welcome: The Lower East Side Poetry Scene in the
>1960s_ (Oxford UP, 2003).
>
>Kinder, Marsha, ed., _Kids' Media Culture_ (Duke UP, 1999).
>
>Knight, Arthur, _Disintegrating the Musical: Black Performance and American
>Musical Film_ (Duke UP, 2002).
>
>Knight, Peter, _Conspiracy Culture: From Kennedy to 'The
>X-Files'_(Routledge, 2001).
>
>Knight, Peter, ed., _Conspiracy Nation: The Politics of Paranoia in Postwar
>America_ (New York University P, 2002).
>
>Kristeva, Julia, _Intimate Revolt: The Powers and Limits of
>Psychoanalysis_ (Columbia UP, 2002).
>
>Lancaster, Roger N., _The Trouble with Nature: Sex in Science and Popular
>Culture_ (Oxford UP, 2003).
>
>Law, John, _Aircraft Stories: Decentering the Object in Technoscience_(Duke
>UP, 2002).
>
>Law, John and Annemarie Mol, eds., _Complexities: Social Studies of
>Knowledge Practices_ (Duke UP, 2002).
>
>Levin, Thomas Y., Ursula Frohne, and Peter Weibel, _CTRL [SPACE]: Rhetorics
>of Surveillance from Bentham to Big Brother_ (MIT P, 2002).
>
>Levinson, Brett, _The Ends of Literature: The Latin American "Boom" in the
>Neoliberal Marketplace_ (Stanford UP, 2001).
>
>Liestol, Gunnar, Andrew Morrison, and Terje Rasmussen, eds., _Digital Media
>Revisited: Theoretical and Conceptual Innovations in Digital Domains_ (MIT
>P, 2003).
>
>Lotringer, Sylvere and Sande Cohen, eds., _French Theory in
>America_(Routledge, 2001).
>
>Loviglio, Jason and Michele Hilmes, eds., _Radio Reader: Essays in the
>Cultural History of Radio_ (Routledge, 2001).
>
>Lovink, Geert, Dark Fiber: Tracking Critical Internet Culture_ (MIT P,
>2002).
>
>Luhmann, Niklas, _Theories of Distinction: Redescribing the Descriptions of
>Modernity_ (Stanford U P, 2002).
>
>Margulies, Ivone, ed., _Rites of Realism: Essays on Corporeal Cinema_ (Duke
>UP, 2003).
>
>Massumi, Brian, ed., _A Shock to Thought: Expressions After Deleuze and
>Guattari_ (Routledge, 2001).
>
>Mattessich, Stefan, _Lines of Flight: Discursive Time and Countercultural
>Desire in the Work of Thomas Pynchon_ (Duke UP, 2003).
>
>McGann, Jerome, _Radiant Textuality: Literature After the World Wide Web_
>(Palgrave, 2001).
>
>McKenzie, Jon, _Perform or Else: From Discipline to Performance_
>(Routledge, 2001).
>
>Mendieta, Eduardo, ed., _Latin American Philosophy_ (Indiana UP, 2003).
>
>Meyer, Richard, _Outlaw Representation: Censorship and Homosexuality in
>Twentieth-Century American Art_ (Oxford UP, 2001).
>
>Mohanty, Chandra Talpade, _Feminism Without Borders_ (Duke UP, 2003).
>
>Moore, Donald S., et al., eds., _Race, Nature, and the Politics of
>Difference_ (Duke UP, 2003).
>
>Munck, Ronaldo. _Marx @ 2000: Late Marxist Perspectives_ (Zed Books, 2002).
>
>Napier, Susan J., _Anime from Akira to Princess Mononoke: Experiencing
>Contemporary Japanese Animation_ (Palgrave, 2001).
>
>Natoli, Joseph, _Postmodern Journeys: Film and Culture 1996-1998_ (SUNY P,
>2000).
>
>Nel, Philip, _The Avant-Garde and American Postmodernity: Small Incisive
>Shocks_ (UP of Mississippi, 2002).
>
>O'Hara, Daniel, _Empire Burlesque: The Fate of Critical Culture in Global
>America_ (Duke UP, 2003).
>
>Pisters, Patricia, ed., _Gilles Deleuze: Micro-politics of Audiovisual
>Culture_ (U of Michigan P, 2001)
>
>Pomerance, Murray, ed., _Ladies and Gentlemen, Boys and Girls: Gender in
>Film at the End of the Twentieth Century_ (SUNY P, 2001).
>
>RabatÈ, Jean-Michel, _Jacques Lacan: Psychoanalysis and the Subject of
>Literature_ (Palgrave, 2001).
>
>Rajan, Rajeswari Sunder, _The Scandal of the State_ (Duke UP, 2003).
>
>Rand, Richard, ed., _Futures of Jacques Derrida_ (Stanford UP, 2001_.
>
>Rasch, William, _Niklas Luhmann's Modernity_ (Stanford UP, 2000).
>
>Rosen, Philip, _Change Mummified: Cinema, Historicity, Theory_(U of
>Minnesota P, 2001).
>
>Royle, Nicholas, ed., _Deconstructions: A User's Guide_ (Palgrave, 2000).
>
>Sanders, Mark, _Complicities: The Intellectual and Apartheid_ (Duke UP,
>2003).
>
>Santiago, Silviano, _The Space In-Between: Essays on Latin American
>Culture_ (Duke UP, 2002).
>
>Sarker, Sonita and Esha Niyogi De, eds., _Trans-Status Subjects: Gender in
>the Globalization of South and Southeast Asia_ (Duke UP, 2003).
>
>Sato, Barbara, _The New Japanese Woman_ (Duke UP, 2003).
>
>Shaw, Jeffrey and Peter Weibel, eds., _Future Cinema: The Cinematic
>Imaginary After Film_ (MIT P, 2003).
>
>Shimakawa, Karen, _National Abjection: The Asian American Body
>Onstage_(Duke U P, 2003).
>
>Simpson, David, _Situatedness, or, Why We Keep Saying Where We're Coming
>From_ (Duke UP, 2002).
>
>Spivak, Gayatri Chakravorty, _Death of a Discipline_ (Columbia UP, 2003).
>
>Tabbi, Joseph, _Cognitive Fictions_ (U of Minnesota P, 2002).
>
>Terada, Rei, _Feeling in Theory: Emotion after the "Death of the Subject"_
>(Harvard UP, 2001).
>
>Tofts, Darren, Annemarie Jonson, and Alessio Cavallaro, eds., _Prefiguring
>Cyberculture: An Intellectual History_ (MIT P, 2003).
>
>Thrift, Nigel and John May, eds., _Timespace: Geographies of Temporality_
>(Routledge, 2001).
>
>Warner, Michael, _Publics and Counter Publics_ (Zone/MIT P, 2002).
>
>West, Harry G, and Todd Sanders, eds.,  _Transparency and Conspiracy:
>Ethnographies of Suspicion in the New World Order_ (Duke UP, 2003).
>
>Williams, Gareth, _The Other Side of the Popular: Neoliberalism and
>Subalternity in Latin America_ (Duke UP, 2002).
>
>Yau, Esther C.M., ed., _At Full Speed: Hong Kong Cinema in a Borderless
>World_ (U of Minnesota P, 2001).
>
>Zahavi, Dan, _Husserl's Phenomenology_ (Stanford UP, 2003).
>
>Zizek, Slavoj, _The Fright of Real Tears_ (BFI Publishing, 2001).
>
>

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