CFP: The Construction of Meaning at the Interface of Art & Science
(1871-1933) at the German Studies Association Conference (Oct. 7-10,
2010, Oakland, CA)
In the decades on both sides of the turn of the 20th century, a
number of the most eminent German intellectual and cultural critics
commented on the increasing dissolution of an objective sense of truth
and meaning. Whether in the form of Max Weber’s famous dictum about
the “disenchantment of the world” or Nietzsche’s notorious remark that
“God is dead,” German thinkers observed this phenomenon with a mixture
of celebration and alarm that paralleled what has been seen as the
characteristically modern experience of ambivalence. With the
fragmentation of Truth, however, meaning and more especially the
construction of meaning became both a cultural and a personal problem.
How did various contemporaries attempt to adapt to an ever more complex
and incongruous world? How did the fields of science and art interact
with one another in establishing new forms of truth? What kinds of
truth were they capable of producing? Is this a purely German
phenomenon or does the increasing interface between these two fields
reveal something deeper about the fundamental nature of modernity?
We invite papers that discuss the dynamic interaction between
scientific and artistic endeavor in Germany between 1871 and 1933 to
create meaning in and of the world.
Possible topics might include:
•the scientist as artist / the artist as scientist
•the relationship between science and aesthetics in the creation of meaning
•the relationship between form and/or method and the production of meaning
•the transmission of meaning from production to reception
•the role of the body in the creation of meaning
•experimentation as meaning
•occult sciences and creativity
Please send 300-word abstracts to both session organizers: R. Kurt
Johnson ([log in to unmask]) and Claudia S. Schlee
([log in to unmask]). The deadline for proposals is Thursday, February
4, 2010. We will notify you of decisions by February 10, 2010. If
selected, please be ready to submit a short bio and any of your
technology needs by Friday, February 12. (The GSA deadline for
proposals is February 15, 2010). All presenters must be current GSA
members.
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The German Studies Call for Papers List
Editor: Stefani Engelstein
Acting Assistant Editor: Olaf Schmidt
Sponsored by the University of Missouri
Info available at: http://www.missouri.edu/~graswww/resources/gerlistserv.html
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