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GERMAN-CFP-L  July 2005

GERMAN-CFP-L July 2005

Subject:

Call for Attendees: die Moeglichkeit des Endes; Bern (7/9/05)

From:

Megan McKinstry <[log in to unmask]>

Reply-To:

German Studies CFP Forum <[log in to unmask]>

Date:

Fri, 1 Jul 2005 06:58:56 -0500

Content-Type:

text/plain

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Parts/Attachments

text/plain (441 lines)

>
>
>Terminator - die Möglichkeit des Endes.
>Bewältigung und Zerstörung als kreative Prozesse.
>Terminator - the Potential of the End.
>Coping Strategies and Destruction as Creative
>Processes
>
>transdisziplinary Graduate Student Conference
>Hochschule der Künste Bern, Sa. 9. - So. 10. Juli
>2005,
>University of the Arts, Bern/ Switzerland,  July Sat
>9th - Sun 10th 2005
>Fellerstr. 11, 3027  Bern (Bhf. Bümpliz-Nord)
>
>Samstag/ Saturday, July 9th 2005:
>
>13:30 Begrüssung/ Address of Welcome: Sebastian Baden
>
>13:40  Einführung/ Introductory Remarks:
>Hans Rudolf Reust (HKB, Leiter Studiengang Kunst)
>Chair: Fenna Yola Tykwer (HKB, Restaurierung und
>Konservierung)
>
>14:00-14:40	Keynote: Prof. Dr. Stefan Wülfert
>(Hochschule der Künste Bern, Restaurierung und
>Konservierung)
>
>14:40- 15:00	Sex in the Terminator
>  Nancy Shui-Yen Cheng (Universität Bonn, Neuere
>Deutsche Literaturwissenschaft)
>
>15:00-15:20	Vom Geschlecht der Zerstörung
>Mit Terminator 3 auf dem Weg in die Kernfamilie
>Rochus Wolff (FU Berlin, Anglistik/ Gender Studies)
>
>15:20-15:40	"Blobbing": Killing Television
>Anne Preckel (HU Berlin, Kulturwissenschaft)
>
>  15:40 Pause/ Break
>
>Chair: Sandra Gugger (Universität Bern, Institut für
>Kunstgeschichte)
>
>16:00-16.40	Keynote: decomponere. Goyas groteske
>Bildsprache als Auftakt zur Moderne
>Dr. Karoline Künkler
>(Düsseldorf, Kunstgeschichte)
>
>16:40-17:00	Kunst nach dem 11.09.01 - Filmische
>Strategien gegen die visuelle Verstummung
>Henri de Riedmatten (Département d'histoire de l'art,
>Université de Fribourg)
>
>17:00-17:20	Die Gewalttätigkeit alles Irdischen und
>die Bewältigung der Welt bei Hieronymus Bosch
>Stefan Fischer  (Universität Bonn, Kunstgeschichte)
>
>17:20-17:40	Komar & Melamid and the Critique of the
>Moment
>Devrim Bayar (Columbia University NY, Curatorial
>Studies)
>
>
>17:40 Pause/ Break
>
>18:00-18:40	Keynote: Der K(r)ampf der Zeichen:
>Graffiti
>Dr. G. J. Lischka  (Hochschule der Künste Bern,
>Philosophie and Aesthetik)
>
>
>21:00  offener Empfang mit Gästen/ Reception for
>Conference Partizipants and Guests
>"Sodium" (HKB- Kesselhaus, Fellerstr. 11)
>
>Theaterperformance/ Play: "radio noir" by Albert
>Ostermaier, mit/ performed by Alice Müller, Gergely
>Kispal, Simon Baumann (HKB, Theater/ Theatre)
>
>Sonntag/ Sunday, July 10th 2005:
>
>
>13:30 Begrüssung/ Address of Welcome: Sebastian Baden
>
>13:40 Einführung/ Introductory Remarks:
>Dr. Sarah Schmidt (HKB, Y-Kunst als Forschung)
>Chair: Alice Müller (HKB, Schauspiel)
>
>14:00-14:40	Keynote: Michael Harenberg
>(Hochschule der Künste Bern, Dozent für Musik und
>Medienkunst)
>
>14:40- 15:00	Der Tod und seine ästhetische
>Verarbeitung im Mittelalter
>Hans-Peter Anschütz (Universität Karlsruhe,
>Literaturwissenschaft)
>
>15:00-15:20	The outsider in the shape of a Terminator?
>Alexandra Huster (New York University)
>
>15:20-15:40	Traumatische Geschichte.
>Wiederholungszwang des Erzählens im Text 'Berlin
>Alexanderplatz' von Alfred Döblin und seine Bedeutung
>für die Konzeption der Geschichte der Moderne und
>Postmoderne
>Lukas Baden (Kunstakademie Karlsruhe/ Universität
>Karlsruhe, Literaturwissenschaft)
>
>  15:40  Pause/ Break
>
>Chair: Annaik Pitteloud (HKB, Kunst)
>
>16:00-16.40	Keynote: Vergebliche Zerstoerung. Eine
>Dekonstruktion der Destruktion
>Dr. Joachim Landkammer (Zeppelin-University
>Friedrichshafen, Department für Kommunikations- und
>Kulturwissenschaft)
>
>16:40-17:00	Das Ende als Maske. Eine Untersuchung zum
>ewigen Ende im deutschsprachigen Drama
>Edna Epelbaum (New York University, Department of
>German)
>
>17:00-17:20	Auslöschungsbilder und
>Auslöschungsverfahren bei Thomas Bernhard
>Alina Voica (DFG-Kolleg UdK Berlin,
>Literaturwissenschaft
>
>17:20-17:40	Die (De)konstruktion der Gegenwart als
>Zukunft oder Today is only yesterday's tomorrow
>Frank-D. Bechter (Universität Tübingen,
>Medienwissenschaft)
>
>17:40 Break
>
>18:00-18:40	Keynote: 
>Dr. Susanne Düchting (Universität Essen,
>Kunstgeschichte)
>
>18: 40- 19: 30	        
>special guest
>
>
>19:30  Danksagung/ Acknowledgement: Sebastian Baden
>
>
>Ende der Konferenz und Empfang der Referenten/
>End of Conference and Reception
>
>
>
>
>
>___________________________________________________________
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>______________________________________________
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>
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>*******************
>The German Studies Call for Papers List
>Editor: Stefani Engelstein
>Assistant Editor:  Meghan McKinstry
>Sponsored by the University of Missouri
>Info available at: http://www.missouri.edu/~graswww/resources/gerlistserv.html
>
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>Date: Thu, 23 Jun 2005 13:05:31 +0200 (CEST)
>From: "Sebastian Baden" <[log in to unmask]>
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>
>Terminator - die Möglichkeit des Endes.
>Bewältigung und Zerstörung als kreative Prozesse.
>Terminator - the Potential of the End.
>Coping Strategies and Destruction as Creative
>Processes
>
>transdisziplinary Graduate Student Conference
>Hochschule der Künste Bern, Sa. 9. - So. 10. Juli
>2005,
>University of the Arts, Bern/ Switzerland,  July Sat
>9th - Sun 10th 2005
>Fellerstr. 11, 3027  Bern (Bhf. Bümpliz-Nord)
>
>Samstag/ Saturday, July 9th 2005:
>
>13:30 Begrüssung/ Address of Welcome: Sebastian Baden
>
>13:40  Einführung/ Introductory Remarks:
>Hans Rudolf Reust (HKB, Leiter Studiengang Kunst)
>Chair: Fenna Yola Tykwer (HKB, Restaurierung und
>Konservierung)
>
>14:00-14:40	Keynote: Prof. Dr. Stefan Wülfert
>(Hochschule der Künste Bern, Restaurierung und
>Konservierung)
>
>14:40- 15:00	Sex in the Terminator
>  Nancy Shui-Yen Cheng (Universität Bonn, Neuere
>Deutsche Literaturwissenschaft)
>
>15:00-15:20	Vom Geschlecht der Zerstörung
>Mit Terminator 3 auf dem Weg in die Kernfamilie
>Rochus Wolff (FU Berlin, Anglistik/ Gender Studies)
>
>15:20-15:40	"Blobbing": Killing Television
>Anne Preckel (HU Berlin, Kulturwissenschaft)
>
>  15:40 Pause/ Break
>
>Chair: Sandra Gugger (Universität Bern, Institut für
>Kunstgeschichte)
>
>16:00-16.40	Keynote: decomponere. Goyas groteske
>Bildsprache als Auftakt zur Moderne
>Dr. Karoline Künkler
>(Düsseldorf, Kunstgeschichte)
>
>16:40-17:00	Kunst nach dem 11.09.01 - Filmische
>Strategien gegen die visuelle Verstummung
>Henri de Riedmatten (Département d'histoire de l'art,
>Université de Fribourg)
>
>17:00-17:20	Die Gewalttätigkeit alles Irdischen und
>die Bewältigung der Welt bei Hieronymus Bosch
>Stefan Fischer  (Universität Bonn, Kunstgeschichte)
>
>17:20-17:40	Komar & Melamid and the Critique of the
>Moment
>Devrim Bayar (Columbia University NY, Curatorial
>Studies)
>
>
>17:40 Pause/ Break
>
>18:00-18:40	Keynote: Der K(r)ampf der Zeichen:
>Graffiti
>Dr. G. J. Lischka  (Hochschule der Künste Bern,
>Philosophie and Aesthetik)
>
>
>21:00  offener Empfang mit Gästen/ Reception for
>Conference Partizipants and Guests
>"Sodium" (HKB- Kesselhaus, Fellerstr. 11)
>
>Theaterperformance/ Play: "radio noir" by Albert
>Ostermaier, mit/ performed by Alice Müller, Gergely
>Kispal, Simon Baumann (HKB, Theater/ Theatre)
>
>Sonntag/ Sunday, July 10th 2005:
>
>
>13:30 Begrüssung/ Address of Welcome: Sebastian Baden
>
>13:40 Einführung/ Introductory Remarks:
>Dr. Sarah Schmidt (HKB, Y-Kunst als Forschung)
>Chair: Alice Müller (HKB, Schauspiel)
>
>14:00-14:40	Keynote: Michael Harenberg
>(Hochschule der Künste Bern, Dozent für Musik und
>Medienkunst)
>
>14:40- 15:00	Der Tod und seine ästhetische
>Verarbeitung im Mittelalter
>Hans-Peter Anschütz (Universität Karlsruhe,
>Literaturwissenschaft)
>
>15:00-15:20	The outsider in the shape of a Terminator?
>Alexandra Huster (New York University)
>
>15:20-15:40	Traumatische Geschichte.
>Wiederholungszwang des Erzählens im Text 'Berlin
>Alexanderplatz' von Alfred Döblin und seine Bedeutung
>für die Konzeption der Geschichte der Moderne und
>Postmoderne
>Lukas Baden (Kunstakademie Karlsruhe/ Universität
>Karlsruhe, Literaturwissenschaft)
>
>  15:40  Pause/ Break
>
>Chair: Annaik Pitteloud (HKB, Kunst)
>
>16:00-16.40	Keynote: Vergebliche Zerstoerung. Eine
>Dekonstruktion der Destruktion
>Dr. Joachim Landkammer (Zeppelin-University
>Friedrichshafen, Department für Kommunikations- und
>Kulturwissenschaft)
>
>16:40-17:00	Das Ende als Maske. Eine Untersuchung zum
>ewigen Ende im deutschsprachigen Drama
>Edna Epelbaum (New York University, Department of
>German)
>
>17:00-17:20	Auslöschungsbilder und
>Auslöschungsverfahren bei Thomas Bernhard
>Alina Voica (DFG-Kolleg UdK Berlin,
>Literaturwissenschaft
>
>17:20-17:40	Die (De)konstruktion der Gegenwart als
>Zukunft oder Today is only yesterday's tomorrow
>Frank-D. Bechter (Universität Tübingen,
>Medienwissenschaft)
>
>17:40 Break
>
>18:00-18:40	Keynote: 
>Dr. Susanne Düchting (Universität Essen,
>Kunstgeschichte)
>
>18: 40- 19: 30	        
>special guest
>
>
>19:30  Danksagung/ Acknowledgement: Sebastian Baden
>
>
>Ende der Konferenz und Empfang der Referenten/
>End of Conference and Reception
>

*******************
The German Studies Call for Papers List
Editor: Stefani Engelstein
Assistant Editor:  Meghan McKinstry
Sponsored by the University of Missouri
Info available at: http://www.missouri.edu/~graswww/resources/gerlistserv.html

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