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GERMAN-CFP-L  May 2005

GERMAN-CFP-L May 2005

Subject:

CFP: Interval Conference: Film (8/31/05; 11/5/05)

From:

Megan McKinstry <[log in to unmask]>

Reply-To:

German Studies CFP Forum <[log in to unmask]>

Date:

Fri, 6 May 2005 11:10:32 -0500

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (120 lines)

>
>Subject: CFP: Interval Conference: Film (8/31/05; 11/5/05)
>
>From: "Stefani Bardin" <[log in to unmask]>
>
>
>Call for papers and film/video submissions:
>
>INTERVAL (1)
>film can help us think thought
>
>A CONFERENCE AT HALLWALLS CONTEMPORARY ARTS 
>CENTRE BUFFALO AND THE DEPT OF MEDIA STUDY, 
>UNIVERSITY AT BUFFALO.
>November 5th 2005
>
>ìThe cinematographic image must have a shock 
>effect on thought, and force thought to think 
>itself as much as thinking the whole.î
>(Gilles Deleuze, ëCinema 2: The Time-Imageí, pg 158)
>
>This conference is intended as a confluence, 
>bringing together filmmakers and theorists for a 
>day of debate and exchange, based around 
>Deleuzeís film philosophy, and his terms: the 
>time-image and the irrational interval. Interval 
>(1) will take place
>in Buffalo in November 2005. Interval (2) will 
>take place in London in February 2006.
>
>Interval (1) seeks:
>- written papers (15-20 mins in length)
>- films/videos, as papers (max. 30 mins in 
>length as presentations. Longer form works will 
>be shown in a related screening.)
>
>Deadline for submissions: 31 August 2005
>
>>From those filmmakers who think by way of their 
>>cinema, we are looking for films that show the 
>>world upside down, using elements including 
>>disrupted narrative, non-linear form, the space 
>>between memory and experience. Films that feel 
>>like falling
>over, rendering time both distended and 
>retracted. Films that encourage the thinking of 
>new thoughts. From writers and researchers, we 
>are looking for papers that interrelate theory 
>and practice, that examine sensory-motor 
>interruption and the
>non-teleological in film and video. Papers can 
>be performative in nature, and cross platform.
>
>- What is an irrational interval?
>An irrational interval occurs when a cut between 
>two separate moving images is not motivated by 
>movement or action. For Deleuze, this type of 
>interval can operate as a fissure or tear within 
>the moving image text, through which the brain 
>might pass
>into the arena of the not-yet-thought. The 
>time-image, and its chief tool the irrational 
>interval, therefore necessarily cuts an audience 
>adrift from the rational interval of Hollywood 
>and of Eisensteinís dialectical montage. Not the 
>train careering
>towards the screen, nor the shock of the edit 
>and of seeing two separate depictions of time 
>spliced together, but rather the ìopen Wholeî of 
>time in non habitual thought.
>
>Since the inception of cinema, filmmakers have 
>sought to make direct links with an individuated 
>audience outside of the dictates of on-screen 
>action, often thrusting the viewer in a 
>disorienting way into the frame and the 
>interval. What thoughts
>occur in these gaps and what remains to harness 
>from the interval? In the digital and non-linear 
>age, what can we now say of the interstices 
>between screen and mind, between film and world? 
>What current forms of documentary, fiction and 
>artists
>film/video operate as Open Whole and opportunity for new thought?
>
>Interval will be an appraisal of contemporary 
>and future film/video as a currency for the 
>development of our real. The Confluence will 
>consist of a keynote address and keynote feature 
>film, plus a number of film and written papers 
>and related
>durational or experimental screenings. All 
>persons interested in crystalline forms of mind 
>and moving image, whether makers, watchers or 
>theorists, are welcome.
>
>Please email 300 word abstracts for papers.
>Please send 50-100 word synopses for film/video, 
>together with a dvd or mini dv tape.
>
>To:
>Steven Eastwood (Professor) and Stefani Bardin (Graduate Student)
>Department of Media Study
>University at Buffalo
>213 Center for the Arts
>Buffalo, NY 14260-6020
>USA
>
>[ mailto:[log in to unmask] ][log in to unmask]
>[ mailto:[log in to unmask] ][log in to unmask]
>
>- Interval (1) -
>

*******************
The German Studies Call for Papers List
Editor: Stefani Engelstein
Assistant Editor:  Meghan McKinstry
Sponsored by the University of Missouri
Info available at: http://www.missouri.edu/~graswww/resources/gerlistserv.html

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