>
>Subject: CFP: The Last(ing) Avant-Garde (4/9/05; MSA, 11/3/05-11/6/05)
>
>From: "Bill Freind" <[log in to unmask]>
>
>For this panel, we are looking for papers that explore the complex
>debt contemporary avant-garde movements owe to modernist
>antecedents. Peter Burger asserts that the historical avant-garde
>consists of Dada, surrealism, and Russian constructivism and that
>all latter-day avant-garde movements are naˆØve repetitions of the
>energies and limitations of those historical movements. Yet despite
>the influence of his Theory of the Avant-garde the term
>’Äúavant-garde’Äù continues to signify dissident, experimental, or
>otherwise challenging art projects. What do any of these latter-day
>avant-garde movements owe to their modernist predecessors? How have
>these avant-gardes defined themselves with and against their own
>historical moments? How do these movements reckon with the
>institutionalization of the historical avant-garde itself? We are
>especially interested in post-World War II movements in poetry, the
>visual arts, and inter-art projects.
>
>
>
>Send 250 word abstracts or completed papers by April 9 to Robin Blyn
>[log in to unmask] or Bill Freind [log in to unmask]
>
>
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