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GERMAN-CFP-L  October 2004

GERMAN-CFP-L October 2004

Subject:

CFP: Eyedeologies Across Disciplines: En-visioning the Readable/Reading the Visual (12/1/04; 4/22/05-4/23/05)

From:

Megan McKinstry <[log in to unmask]>

Reply-To:

German Studies CFP Forum <[log in to unmask]>

Date:

Tue, 5 Oct 2004 14:30:51 -0500

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (104 lines)

>
>From: Comparative Literature Graduate Colloquium 2005 University of
>Toronto <[log in to unmask]>
>Subject: CFP: Eyedeologies Across Disciplines: En-visioning the
>Readable/Reading the Visual (12/1/04; 4/22/05-4/23/05)
>
>
>The Centre for Comparative Literature at the University of Toronto
>invites abstracts for its 16th annual Graduate Student Colloquium
>Eyedeologies. žAcross Disciplines: En-visioning the Readable /
>Reading the Visualž, to be held on April 22-23 2005.
>
>
>
>The colloquium will explore manifold interactions between literature
>and other disciplines: fine arts, performing arts, television, film
>and video, photography, architecture, graphic design, religious art,
>music, new media fictions of all kinds.
>
>
>
>Papers may address interdisciplinary theoretical and practical
>issues pertaining to a broad range of topics centered on the
>visual-textual shifting dialectic:
>
>
>
># Translation, migration, appropriation, transference of elements
>from literature to other disciplines and vice versa
>
># Complementarity, antagonism, intersections of image and word,
>sculpture and inscription
>
># Narrative paintings, pictorial poetry and prose
>
># The literary text and the cinematic screen: text-to-screen
>translation, text-for-screen writing/composition, screen-to-text
>re-adaptation
>
># Interactions and counteractions between the dramatic and the
>performance text
>
># Re-visioning verbal, visual and musical relationships; operatic
>encounters; the Gesamtkunstwerk and multimedia art
>
># Use and misuse of images in Judeo-Christian and Reformation history
>
># Visual-verbal syntheses in Medieval and Renaissance texts
>
># Word/image dialogues from Romanticism to the fin de siňcle and beyond
>
># Aesthetic/psychological/philosophical/political/cultural
>implications of the word/image problematic
>
># Image as text and text as image: reading the visual, designing the
>typescript
>
>
>
>The colloquium has an essentially interdisciplinary character,
>therefore it is open to students from various areas of study such as
>philology, literary studies, classical studies, cultural studies,
>book history, museum studies, visual arts, art history, film
>studies, architecture, music, history, philosophy, religion, drama,
>psychology, sociology, anthropology, political science, media
>studies, journalism, communication, or computer science.
>
>
>
>Papers can be given in any language, as long as a summary in English
>is provided. Questions will be addressed and answered in English.
>
>
>
>The conference hall will be equipped with resources for digital
>projection of images, VHS and DVD, as well as for the playing of
>various audio formats (CDs, audiotapes). Please indicate at the end
>of your abstract whether you intend to make use of these resources.
>
>
>
>Abstracts and/or panel proposals (maximum length of 500 words)
>should have a short biographical note attached, and should be sent
>to [log in to unmask] by December 1st, 2004.
>
>
>
>A selection of papers presented at the colloquium will be published
>in TRANSverse: A Comparative Studies Journal, The Centre for
>Comparative Literature's new journal. Please note that the copyright
>clearance documentation is required for all images that are to be
>published.
>
>
>
>For more information on the Centre for Comparative Literature and
>the colloquium, please visit www.chass.utoronto.ca/complit/

*******************
The German Studies Call for Papers List
Editor: Stefani Engelstein
Assistant Editor:  Meghan McKinstry
Sponsored by the University of Missouri
Info available at: http://www.missouri.edu/~graswww/resources/gerlistserv.html

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