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GERMAN-CFP-L  December 2003

GERMAN-CFP-L December 2003

Subject:

CFP: Cinema Studies: The Wall (Israel) (1/15/03; 6/6/04-6/8/04)

From:

Karen Eng <[log in to unmask]>

Reply-To:

German Studies CFP Forum <[log in to unmask]>

Date:

Mon, 8 Dec 2003 11:16:21 -0600

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (142 lines)

>X-Authentication-Warning: dept.english.upenn.edu: majordom set
>sender to [log in to unmask] using -f
>From: "Gilad Padva" <[log in to unmask]>
>To: <[log in to unmask]>
>Subject: CFP: Cinema Studies: The Wall (Israel) (1/15/03; 6/6/04-6/8/04)
>Date: Wed, 3 Dec 2003 18:33:03 +0200
>Sender: [log in to unmask]
>X-OriginalArrivalTime: 07 Dec 2003 11:04:31.0780 (UTC)
>FILETIME=[E40D0E40:01C3BCB1]
>
>The Wall
>The 5th Tel Aviv International Colloquium on Cinema Studies June 6-8,2004
>=20
>
>Call for Papers
>
>=20
>
>The postmodernist academic discourse about fusion[1], hybridity, 'third s=
>pace', pastiche, and carnival tends to be detached from the material and =
>cultural 'walls,' that still exist today between nations, classes, gender=
>s and artistic models. These 'walls' actually never have been fused, coll=
>apsed, merged or deconstructed. In the age of globalization of mass commu=
>nications and its imperatives of commodification, commercialism, conformi=
>ty and mainstreaming the 'other', the 'walls' are increasingly more sophi=
>sticated, and occasionally more brutal.
>
>      Notably, these walls are imposed not only by the dominant and privil=
>eged, but can also be constituted, maintained, defended and reproduced by=
>  subaltern ethnicities, sexualities and marginal groups themselves, in th=
>eir resistance to assimilation and (post)colonialism, and in their strugg=
>le for self-definition and political and cultural independence.
>
>   =20
>
>   The conference will address several critical issues:=20
>
>- The limits of deconstruction analysis and postmodern theory in facing t=
>he walls.=20
>
>- The fallacy that the same globalization lingo generated by the corporat=
>e world can also serve to decipher its effects.=20
>
>- The meanings and effects of walls on film making/producing/distributing.
>
>- The =91walls=92 that are constructed by mainstream television and cinem=
>a and its newspeak.=20
>
>- The existence of walls as metaphorical barriers between cinematic langu=
>age and its referent, and between cinematic genres, structures, times and=
>  spaces.=20
>
>=20
>
>   A proposal submitted to the Conference may refer to one or more of the =
>following topics:
>
>- New perspectives on discovery/recovery of subaltern ethnicities in popu=
>lar films & TV programs.
>
>- "Globalization" of genres, subgenres and other cinematic forms.
>
>- Juxtaposed, imposed and (pre)supposed geographies, landscapes, and laby=
>rinths.
>
>- Disciplined fantasies and scripted dreams.
>
>- Traditional 'walls' vs. modern 'walls' in Third World Cinema.=20
>
>- The existing 'wall' in quasi-anarchistic films & sitcoms, freak shows, =
>circuses, carnivals, and impresarios
>
>- (Meta)physical 'walls' in recent horror films.=20
>
>- (De)eroticization of sexed and gendered 'walls'.
>
>- Walls, barricades and territories in new 'united' Europe.
>
>- Walls, prohibitions and manipulations in TV programs.=20
>
>- The walls of national cinemas.
>
>- Walls and the power of domination, occupation, and dislocation.
>
>- =91Roadblock=92 movies and the walls within.
>
>- Inter-cultural challenges and clashes in bi-lingual films.
>
>- Cinematic architectures and urban (con)structures.
>
>- Plot and characters, their construction and deconstruction.
>
>    =20
>
>* An abstract of no more than 250 words should be sent to Raz Yosef:=20
>
>   [log in to unmask]
>
>* Deadline for all submission: January 15, 2003.
>
>* Please note any Audio-Visual requirements.   =20
>
>=20
>
>=20
>
>
>-------------------------------------------------------------------------=
>-------
>
>[1] Which is the theme of the fifth Tel Aviv Cinema Student Festival =96 =
>the host of the Colloquiem
>
>          ===============================================
>          From the Literary Calls for Papers Mailing List
>                       [log in to unmask]
>                        Full Information at
>                 http://www.english.upenn.edu/CFP/
>           or write Erika Lin: [log in to unmask]
>          ===============================================


--
________________________________________
Karen M. Eng, Ph.D.
Visiting Assistant Professor of German
Assistant Editor,  German Studies Call for Papers List
Department of German and Russian Studies
University of Missouri - Columbia
GCB 447
Columbia, MO 65211
USA

Telephone: 573/882-2546
http://www.missouri.edu/~graswww/resources/gerlistserv.html

*******************
The German Studies Call for Papers List
Editor: Stefani Engelstein
Assistant Editor:  Karen Eng
Sponsored by the University of Missouri
Info available at: http://www.missouri.edu/~graswww/resources/gerlistserv.html

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