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GERMAN-CFP-L  March 2003

GERMAN-CFP-L March 2003

Subject:

CFP: Film Studies - Books for Review (e-journal)

From:

Stefani Engelstein <[log in to unmask]>

Reply-To:

German Studies CFP Forum <[log in to unmask]>

Date:

Thu, 13 Mar 2003 10:10:05 -0600

Content-Type:

text/plain

Parts/Attachments:

Parts/Attachments

text/plain (83 lines)

>
>From: "Lincoln Geraghty" <[log in to unmask]>
>
>Scope, a fully refereed on-line journal of film studies edited by staff =
>and postgraduate students within the institute of Film Studies at the =
>University of Nottingham, is looking for reviewers to write 800 word =
>reviews on the following books to be included in forthcoming issues.=20
>If you are interested in any of the books and want to review one or =
>perhaps two or three together to make a review essay then please send your =
>details including academic affiliation (PhD student, lecturer, etc.), =
>interests (eg. Hollywood film), and mailing address to:=20
>Lincoln Geraghty, Book Review Editor [log in to unmask]
>Once contact has been made and deadline agreed Scope will send the book =
>along with deadline and style guidelines. The books are as follows:
>Babington, Bruce, _Launder and Gilliat_, Manchester University Press.
>Braddock, Jeremy, and Stephen Hock, eds., _Directed by Allen Smithee_, =
>Minnesota University Press.
>Celli, Carlo, _The Divine Comic: The Cinema of Roberto Benigni_, Scarecrow =
>Press
>Colt, Livier, _David Ehrlich: Citizen of the World_, Dreamland.
>Dardis, _Tom, Buster Keaton: The Man Who Wouldn't Lie Down_, University of =
>Minnesota Press.
>Elefthaeriotis, Dimitris, _Popular Cinemas of Europe: Studies of Texts, =
>Contexts and Frameworks_, Continuum.
>Foster, David William, _Mexico City in Contemporary Mexican Cinema_, =
>University of Texas Press.
>Gates, Tudor, _Scenario: The Craft of Screenwriting_, Wallflower Press.
>Gibbons, Luke, _The Quite Man_, Cork University Press.
>
>Gocic, Goran, _The Cinema of Emir Kusturica: Notes from the Underground_, =
>Wallflower Press.
>Gopalan, Lalitha, _Cinema of Interruptions: Action Genres in Contemporary =
>Indian Cinema_, BFI.
>Graf, Alexander, _The Cinema of Wim Wenders_, Wallflower Press.
>
>Harrison, Jackie, _Terrestrial TV News in Britain: The Culture of =
>Production_, University of Manchester Press.
>Herr, Cheryl, _The Field_, Cork University Press.
>Higson, Andrew, ed., _Young and Innocent? The Cinema in Britain, 1896-1930_=
>, University of Exeter Press.
>
>Iordanova, Dina, _Emir Kusturica_, BFI.
>Jayamanne, Laleen, _Towards Cinema and Its Double: Cross Cultural =
>Mimesis_, Indiana University Press.
>
>Kochberg, Searle, ed., _Introduction to Documentary Production: A Guide =
>for Media Students_, Wallflower Press.
>Lay, Samantha, _British Social Realism: From Documentary to Brit Grit_, =
>Wallflower Press.
>Le Grice, Malcolm, _Experimental Cinema in the Digital Age_, BFI.
>Leigh, Jacob, _The Cinema of Ken Loach: Art in the Service of the People_, =
>Wallflower Press.
>
>Loshitzky, Yosefa, _Identity Politics on the Israeli Screen_, University =
>of Texas Press.
>Marcus, Millicent, _After Fellini: National Cinema in the Postmodern Age_, =
>Johns Hopkins University Press.
>Marks, Laura U., _The Skin of the Film: Intercultural Cinema, Embodiment, =
>and the Senses_, Duke University Press.
>
>Powrie, Phil, _Jean-Jacques Beineix_, Manchester University Press.
>Restivo, Angelo, _The Cinema of Economic Miracles: Visuality and Modernizat=
>ion in the Italian Art Film_, Duke University Press.
>
>Sheeran, Patrick F., _The Informer_, Cork University Press.
>Smith, Craig, _The Whisper of Leaves_, Southern Illinois University =
>Press.=20
>
>Tapper, Richard, ed., _The New Iranian Cinema: Politics, Representation =
>and Identity_, I.B. Tauris.
>Thank you for your interest.
>Lincoln Geraghty
>Book Review Editor
>Scope: An On-line Journal of Film Studies
>Insitute of Film Studies
>School of American and Canadian Studies
>University of Nottingham
>University Park
>Nottingham NG7 2RD
>United Kingdom
>http://www.nottingham.ac.uk/film/
>
>

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