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Kate:
What action or quality of the "third" makes the "third" (line 360) a =
questor? The questor of myth is not unknown or mysterious. The questor =
is usually the central action charactor. The King and the Country =
(waste land) are usually just background staging within which the =
questor acts.
Rick Seddon
McIntosh, NM, USA
-----Original Message-----
From: [log in to unmask] <[log in to unmask]>
To: [log in to unmask] <[log in to unmask]>
Date: Tuesday, May 29, 2001 10:09 AM
Subject: Re: myth and reality
=20
=20
In a message dated 05/28/2001 10:02:31 PM Eastern Daylight Time,=20
[log in to unmask] writes:=20
=20
=20
=20
The last two paragraphs were the quote from Campbell. Besides, =
I don't=20
care much if the term that is used is Waste Land or wasteland as =
long as=20
the poem's title is gotten correctly. An exception is made for =
Kate=20
because she knows what the title really is ;-)=20
=20
=20
=20
=20
=20
The Unreal City (London and the other great cities of of the world) =
had=20
turned into a waste land. Thus, London is the Wasteland. It's =
really I=20
suppose a matter of semantics.=20
=20
=20
=20
"I see the Fisher King and the questor both as the poem's poetic =
self.=20
Since I see TWL as a personal poem that means Eliot. But I don't =
see=20
much of the questor actually in the poem."=20
=20
The questor I believe is the third that is only seen from a =
distance, hooded=20
(What the Thunder Said).=20
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<DIV><FONT color=3D#000000 size=3D2>Kate:</FONT></DIV>
<DIV><FONT color=3D#000000 size=3D2></FONT> </DIV>
<DIV><FONT size=3D2>What action or quality of the "third" =
makes the=20
"third" (line 360) a questor? The questor of myth is not =
unknown=20
or mysterious. The questor is usually the central action =20
charactor. The King and the Country (waste land) are usually just=20
background staging within which the questor acts.</FONT></DIV>
<DIV><FONT size=3D2></FONT> </DIV>
<DIV><FONT size=3D2>Rick Seddon</FONT></DIV>
<DIV><FONT size=3D2>McIntosh, NM, USA</FONT></DIV>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #000000 solid 2px; MARGIN-LEFT: 5px; PADDING-LEFT: =
5px">
<DIV><FONT face=3DArial size=3D2><B>-----Original =
Message-----</B><BR><B>From:=20
</B><A href=3D"mailto:[log in to unmask]">[log in to unmask]</A> <<A=20
href=3D"mailto:[log in to unmask]">[log in to unmask]</A>><BR><B>To: =
</B><A=20
href=3D"mailto:[log in to unmask]">[log in to unmask]</A> =
<<A=20
=
href=3D"mailto:[log in to unmask]">[log in to unmask]</A>><BR>=
<B>Date:=20
</B>Tuesday, May 29, 2001 10:09 AM<BR><B>Subject: </B>Re: myth and=20
reality<BR><BR></DIV></FONT><FONT face=3Darial,helvetica><FONT =
size=3D2>In a=20
message dated 05/28/2001 10:02:31 PM Eastern Daylight Time, <BR><A=20
href=3D"mailto:[log in to unmask]">[log in to unmask]</A> =
writes:=20
<BR><BR><BR>
<BLOCKQUOTE=20
style=3D"BORDER-LEFT: #0000ff solid 2px; MARGIN-LEFT: 5px; =
MARGIN-RIGHT: 0px; PADDING-LEFT: 5px"=20
TYPE =3D CITE>The last two paragraphs were the quote from Campbell.=20
Besides, I don't <BR>care much if the term that is used is =
Waste=20
Land or wasteland as long as <BR>the poem's title is gotten =
correctly.=20
An exception is made for Kate <BR>because she knows what the =
title=20
really is ;-) <BR><BR><BR></BLOCKQUOTE><BR><BR>The Unreal =
City (London=20
and the other great cities of of the world) had <BR>turned into a =
waste=20
land. Thus, London is the Wasteland. It's really I =
<BR>suppose a=20
matter of semantics. <BR><BR><BR><BR>"I see the Fisher King and =
the=20
questor both as the poem's poetic self. <BR>Since I see TWL as a =
personal=20
poem that means Eliot. But I don't see <BR>much of the questor =
actually in the poem." <BR><BR>The questor I believe is the =
third that=20
is only seen from a distance, hooded <BR>(What the Thunder Said).=20
<BR></FONT></FONT></BLOCKQUOTE></BODY></HTML>
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