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Thanks, Pat,
but they say that excessive dope consumption leads to loss of short term
memory... ;-)
When I hear or read something I like I read it or listen to it so many
times till I memorize it. That includes many pop songs, poems , opera arias=
,
most of the lyrics of a famous Frech bard by the name of Georges Brassens
and vast sections of 4Q. A wholly useless and futile obsession, unnerving m=
y
pals at my downtown watering hole.
Cheers,
Gunnar
PS: Who said: "Wear your learning like your pocket watch -- only take it ou=
t
when asked"?
----------
Von: [log in to unmask]
An: [log in to unmask]
Betreff: Re: Weeping multitudes&leagalize it
Datum: Sam, 10. M=E4r 2001 07:22 Uhr
Gunnar,
You have fabulous memory and recall! Are you a computer?
best,
pat
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D
In a message dated 3/9/01 7:54:22 PM Eastern Standard Time,
[log in to unmask] writes:
There comes to mind:
*Difficulties of a Statesman* (Cry what shall I cry?),
TWL: *By the waters of Leman I sat down and wept*,
Morning at the Window (the poem makes me think of the haunting Hopper
painting...):
*And a tear from a passer-by with muddy skirts*,
and a poem which, as I recall, hasn't ever been discussed in this forum:
Eyes that last I saw in Tears,
with its wonderfully enigmatic last lines:
*The eyes outlast a little while
A little while outlast the tears
And hold us in derision.*
I'm sure there must be others.
Cheers,
Gunnar
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<TITLE>Re: Weeping multitudes&leagalize it</TITLE>
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Thanks, Pat,<BR>
<BR>
but they say that excessive dope consumption leads to loss of short term me=
mory... ;-)<BR>
When I hear or read something I like I read it or listen to it so man=
y times till I memorize it. That includes many pop songs, poems , opera aria=
s, most of the lyrics of a famous Frech bard by the name of Georges Brassens=
and vast sections of 4Q. A wholly useless and futile obsession, unnerving m=
y pals at my downtown watering hole.<BR>
<BR>
Cheers,<BR>
<BR>
Gunnar<BR>
<BR>
PS: Who said: "Wear your learning like your pocket watch -- only take =
it out when asked"?<BR>
<BR>
----------<BR>
Von: [log in to unmask]<BR>
An: [log in to unmask]<BR>
Betreff: Re: Weeping multitudes&leagalize it<BR>
Datum: Sam, 10. M=E4r 2001 07:22 Uhr<BR>
<BR>
<BR>
<BLOCKQUOTE><B>Gunnar, <BR>
<BR>
You have fabulous memory and recall! Are you a computer? <BR>
<BR>
best, <BR>
<BR>
pat <BR>
=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D=3D <BR>
<BR>
In a message dated 3/9/01 7:54:22 PM Eastern Standard Time, <BR>
</B><FONT COLOR=3D"#0000FF"><U>[log in to unmask]</U></FONT><B> writes: =
<BR>
<BR>
</B><BR>
<BLOCKQUOTE>There comes to mind: <BR>
<BR>
*Difficulties of a Statesman* (Cry what shall I cry?), <BR>
TWL: *By the waters of Leman I sat down and wept*, <BR>
Morning at the Window (the poem makes me think of the haunting Hopper <BR>
painting...): <BR>
*And a tear from a passer-by with muddy skirts*, <BR>
<BR>
and a poem which, as I recall, hasn't ever been discussed in this for=
um: <BR>
<BR>
Eyes that last I saw in Tears, <BR>
<BR>
with its wonderfully enigmatic last lines: <BR>
<BR>
*The eyes outlast a little while <BR>
A little while outlast the tears <BR>
And hold us in derision.* <BR>
<BR>
I'm sure there must be others. <BR>
<BLOCKQUOTE><BR>
<BR>
Cheers, <BR>
<BR>
Gunnar <BR>
<BR>
<BR>
</BLOCKQUOTE></BLOCKQUOTE><BR>
<B><BR>
<BR>
<BR>
</B></BLOCKQUOTE>
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